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Takashi Fujimura's paper: Hitchcock-Hawksianism
Hitchcock's Occupation-Movement Relationship Table
Black: Works from the Skill Loss Movement ① ● Works where the occupation and the movement are formally and substantively inconsistent.
Blue: Works from the Skill Loss Movement ② ● Works where the occupation and the movement are formally consistent but substantively inconsistent.
Red: Works from the Skill Movement ① ● Works where the occupation and the
movement are formally consistent.
Pink: Works from the Skill Movement ② ● Works where the occupation and the
movement are formally inconsistent but substantively consistent.
Green: A skills movement aimed at the skills of human beings themselves, in a broader sense than just occupations. Works such as "The Smiths" (1941) and "Under Capricorn" (1949) are not occupational movements, but they are works that move towards broader human origins than occupations, such as "a man (woman) doing a man (woman)" and "a nobleman doing a nobleman," and are skills movements that aim at human origins in a different sense than the Hitchcockian movement of getting involved.
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Protagonist ■Male ★ Female ① The action/mission that the protagonist actually performs in the film ② Protagonist's occupation, social attributes ③ Other attributes |
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1925 |
快楽の園(The Pleasuer Garden) |
★Virginia Valli ①Almost killed by her mad husband ②Dancer |
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下宿人(The Rodger) |
■ Iva Novello ① He searches for the killer to avenge his murdered sister, but is mistaken for the killer himself and nearly killed by a mob. ② The victim's brother |
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1927 |
下り坂(Downhill) |
■ Iva Novello |
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ふしだらな女(Easy Virtue) |
★Isabel Jeans |
A woman who falls in love easily simply loves. |
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リング(The Ring) |
■ Carl Brisson |
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1928 |
農夫の妻(未・The Farmar's Wife) |
■Jameson Thomas ①Owner of a farm ②Remarried after numerous arranged marriage meetings. |
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シャンパン(Champagne) |
★Betty Bolfer |
The daughter of a wealthy man lives her life as the daughter of a wealthy man. |
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マンクスマン(The Manxman) |
★Annie Ondra |
A melodrama about people in love. |
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1929 |
ゆすり(Blackmail) |
★Annie Ondra |
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1930 |
ジュノーと孔雀(Juno and the paycock) |
■Edward Chapman ① He gets drunk and chats. ② Self-proclaimed captain. Unemployed. |
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殺人!(Murder!) |
■Herbert Marshall |
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1931 |
いかさま勝負(The Skin Game) |
■ Edmund Gwayne ① Developed land despite opposition from the aristocracy ② Nouveau riche |
The nobility behave like the nobility, and the nouveau riche behave like the nouveau riche. |
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1932 |
リッチ・アンド・ストレンジ(Rich and Strange) |
■Henry Kendall |
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第十七番(Number Seventeen) |
■ John Stewart ① Tracking a jewel thief ② Detective |
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1934 |
暗殺者の家(The Man Who New Too Mach) |
■Leslie Banks |
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1935 |
三十九夜(THE 39 STEPS) |
■Robert Donat |
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1936 |
間諜最後の日(SECRET |
■John Gielgud |
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サボタージュ(Sabotage) |
■Oscar Homolka |
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1937 |
第3逃亡者(Young and Innocent) |
■ Derrick De Marney ① Investigating a murder case ② Novelist ★ Nova Pilbium ① Investigating a murder case with Marney ② Daughter of the police chief |
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1938 |
バルカン超特急(The Lady vanishes) |
★Margaret Lockwood |
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1939 |
巌窟の野獣(Jamaica Inn) |
★Maureen O'Hara |
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1940 |
レベッカ(Rebecca) |
★Joan Fontaine |
●Note: The "inner" introvert, reminiscent of the women in Mikio Naruse's films, the husband being an aristocrat with a different lifestyle, and the "complete lack of familiarity" with Mandalay, where the newlyweds take place, are brilliantly portrayed as "soft" elements. |
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海外特派員(Foreign Correspondent) |
■ Joel McCrea |
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1941 |
スミス夫妻(Mr. and Mrs. Smith) |
★Carol Lombard |
The couple spends all their time arguing. |
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断崖(Susption) |
★Joan Fontaine |
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1942 |
逃走迷路(Saboteur) |
■Robert Cummings |
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1943 |
疑惑の影(Shadow of a Doubt) |
★Teresa Wright |
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救命艇(未・Lifeboat) |
★Talulah Bankhead (Journalist) |
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1945 |
白い恐怖(Spellbound) |
★Ingrid Bergman |
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1946 |
汚名(Notorious) |
★Ingrid Bergman |
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1947 |
パラダイン夫人の恋(The Paradine Case) |
■Gregory Peck |
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1948 |
ロープ(Rope) |
■John Dall and Farley Granger |
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1949 |
山羊座のもとに(Under Capricorn) |
★Ingrid Bergman ① Reclaiming her ladylike self ② Lady |
A nobleman behaves like a nobleman. |
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1950 |
舞台恐怖症(STAGE FRIGHT) | ★Jane Wyman ① Plays Dietrich's secretary in a murder investigation ② Actress |
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1951 |
見知らぬ乗客(Strangers on a train) |
■Farley Granger |
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1952 |
私は告白する(I Confess) |
■Montgomery Clift |
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1954 |
ダイヤルMを廻せ!(Dial M for Murder) |
★Ray Milland ① Attempted murder of his wife ② Former tennis player ★Grace Kelly ① Nearly murdered by a man hired by her husband ② Wife |
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裏窓(Rear Window) |
■James Stewart |
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1955 |
泥棒成金(To Catch a Thief) |
■Cary Grant ① Catching a thief ② A former thief. |
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1956 |
ハリーの災難(The Trouble with Harry) |
■ Edmund Gwain |
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知りすぎていた男(The Man Who Knew Too Match) |
■James Stewart ① Searching for his kidnapped son ② Doctor and father. ★Doris Day ① Searching for her kidnapped son. Sings. ② Singer and mother. |
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1957 |
間違えられた男(The Wrong Man) |
■Henry Fonda |
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1958 |
VERTIGO | ■James Stewart ① He investigates his friend's wife at the friend's request. ② Former police officer. ③ Acrophobic. Love affair with Kim Novak. |
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1959 |
北北西に進路を取れ(North by Northwest) |
■Cary Grant |
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1960 |
サイコ(Psycho) |
★Janet Leigh |
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1963 |
鳥(The Birds) |
★Tippi Hedren |
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1964 |
マーニー(Marnie) |
★Tippi Hedren |
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1966 |
引き裂かれたカーテン(Torn Curtain) |
■ Paul Newman |
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1969 |
トパーズ(Topaz) |
■ Frederick Stafford |
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1972 |
フレンジー(Frenzy |
■John Finch |
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1976 |
ファミリープロット(Famiry Plot) |
★Barbara Harris ① Looking for someone ② A fraudulent fortune teller ③ No social credibility ■Bruce Dern ① Looking for someone ② A taxi driver. Aspiring actor. ③ No social credibility |
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